Literary Organization
As an introduction to this lengthy psalm, I have pictured below some of the repeated elements that go into its composition so that you can get an approximate overview of the whole.
Figure 1: The Organization of Psalm 68
A. enemies scattered (1-2)
B. people praise “sing” (3-4a)
C. rider in the sky (4b)
D. God's home – holy habitation (5)
E. procession of prisoners and fate of rebels (6-10)
Selah (7b)
A'. enemies scattered (11-12a)
F. gifts received (12b-13)
A''. enemies scattered (14)
D'. God's home – abode (15-16)
D''. God's home – holy place (17)
E'. procession of captives and fate of rebellious (18a)
F'. gifts of metal received (18b)
G. “blessed be the Lord” (19a)
Selah (19b)
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E''. salvation of his people and fate of enemies (20-23)
D'''. God's home – sanctuary (24a)
E'''. procession into the temple (25-27)
D''''. God's home – temple (29a)
F''. gifts of metal received (29b-31)
A'''. enemies scattered (30)
B'. people praise (“sing”) (32a)
Selah (32b)
C'. rider in the sky (33-34)
D'''''. God's home – sanctuary (35a)
G'. “blessed be God” (35b)
Tanner provides some support for this sort of arrangement when she says, “In structure, the psalm is cyclic, beginning and ending with the same proclamations (praise of the Rider, vv. 4 and 33) [see sections C and C'], and both of these proclamations are centered in sections that declare God's power and might over all the world.”
By contrast, Alter endorses Fokkelman's view of “a series of divisions going from small to large, vv. 2-11, 12-24, 25-36 and arranged around the respective mountains of Sinai, Bashan, and Zion.”
Although Figure 1 is not a strictly symmetrical structure, there are certainly strong similarities between verses 1-10 and 30-35 as well as rough parallels between vv. 14-19 and 20-31, with the selah at 19b dividing the chapter into two parts. By the way, no one is really sure what that mysterious word means; it is possibly some sort of musical cue for when the psalm was originally sung.
As Holladay says, “The psalms were doubtless sung or chanted and they were probably given musical accompaniment: Ps. 68:25 offers enticing hints.” That verse reads, “the singers in front, the musicians last, between them girls playing tambourines.”
Difficulties
There are several issues involved in approaching Psalm 68, as Baigent states: “This is one of the most difficult psalms in the Psalter both to translate and to interpret. Attempts to find a life-setting range from suggesting a particular historical occasion (e.g. 2 Sam. 6:12-19; I Kg. 8:1ff; or 2 Chr. 30) to the idea that Ps. 68 is really a catalogue of some thirty poems, each listed by citing its first line or stanza.”
That last idea originally comes from Albright and may appear to be totally absurd, but it is actually not that unreasonable since it has also been proposed for Psalm 86 – the central poem in the whole Psalter (see my post titled “The Psalms: Introduction to the Literary Structure”). But in the case of Ps. 68 it is somewhat less likely due to its overall arrangement, as shown in Figure 1.
Baigent goes on to say, “Inevitably, any attempt to trace the progression of thought in this psalm must be tentative and generalized. I would certainly agree with him there, but Figure 1 does suggest a sort of starting point to use as a springboard to interpretation.
“Ps. 68 is notoriously difficult both to outline and to place in any specific historical setting. Scholars often rank it among the most difficult psalms to interpret...and the wide variety of proposals for its setting are evidence of the truth in this assessment...Despite this variety of material, the psalm displays a coherent historical movement from God's past faithfulness to Israel to a future in which all the nations of the earth would worship him.” (Thielman)
Anderson: “The interpretation of this Psalm is a difficult task because its structure is very complex, and the text is clearly corrupt in more than one place.” He calls it “a triumphal hymn', although it contains elements usually not included in such psalms. “The Sitz im Leben [original setting] of our Psalm may have been the Autumnal Festival which included the celebration of Yahweh's kingship and his mighty deeds, as well as a praise of his providential care.”
“This is one of the most magnificent songs of triumph in the whole of the OT...It was almost certainly written to celebrate the transference of the ark of the Lord from the house of Obed-edom to the new Tabernacle which David had prepared for it on Mt. Zion (cf. 2 Sa. 6:2-18) or, possibly, to celebrate an annual memorial of this great procession wherein Yahweh's Kingship would be vividly portrayed and praised.” (M'Caw and Motyer)
And Tanner says, “No matter how one divides Psalm 68 or how one chooses to understand its unity or lack thereof, one thing is certain: its theme is one of unflinching praise for the powerful Warrior God of Israel. Its images are some of the most ancient in the Bible, and many of its words and phrases are so difficult that any translation is a tentative one where no one reading is superior to the multiple others that have been proposed. Further, scholars find it impossible to assign the psalm to a genre or to agree if the images presented are depictions of actual historical happenings or are mythic battles between the gods.”
Psalm 68 Through the Ages
In spite of all these uncertainties, this psalm has continued to inspire readers throughout the centuries. For example, Holladay notes that it was the favorite hymn of Emperor Charlemagne; the Dead Sea community apparently wrote a commentary on it (unfortunately only fragments remain); and it was very popular with the later Huguenot armies. And even earlier, Paul quoted from Psalm 68:18 in his letter to the Ephesians (4:8). The latter is worth looking at some time, but the explanation of that particular usage is too complicated to discuss here.
As a final illustration of the applications that readers still glean from Psalm 68, below are a few thoughts from Beth Stovell, professor of Old Testament at Ambrose University, as she writes in the May/June 2023 issue of CT magazine:
“Psalm 68 is a theophany psalm...A theophany is an experience of God's presence – the moment when God shows up...When God shows up, he reveals who he is and transforms difficult situations. This helped me see God's presence in Psalm 68 differently.”
“First, God shows up in Psalm 68 as a divine warrior. While it may seem odd today to think of God as waging war, it might be helpful to remember how much we appreciate God's power in times when we feel powerless...He is more powerful than death or disease or loneliness or pain.”
“The power of God's name travels from the Old Testament to the New when 'at the name of Jesus every knee should bow, in heaven and on earth and under the earth' (Phil. 2:10)...the message is clear: 'Do not be afraid of [your enemies]; the Lord your God himself will fight for you' (Deut. 3:22).”
“Despite his power, God is not like the leaders of ancient Israel's time or today's leaders who might value or care for only the powerful and elite. Instead, the psalmist points out that God sees those other might overlook. He acts as a father to the fatherless (Ps. 68:5). He defends the widow. For those who have experienced loss, he longs to care in the midst of that loss.”
“God also sees our loneliness; he 'sets the lonely in families' (v. 6).”
“But Psalm 68 doesn't stop there. This personal God who knows the most fragile places in us is also the God who is able to free his people from slavery and sustain them in the wilderness through his miraculous provision...This is the Lord Almighty, whose power far exceeds that of any other king or any other nation (vv. 11-18). This is the God who saves his people 'who daily bears our burdens. Our God is a God who saves' (vv. 19-20).”
“Psalm 68:24-26, then, does what I have done throughout my life as a worship leader: guide people into a procession of worship. When God as divine warrior destroys the enemies who plot against his peace and wholeness, we respond with praise.”
“Psalm 68:32-35 continues this praise by referring to what we see about God in the first 10 verses. [This is another confirmation of the gist of Figure 1.] They encourage the whole world to sing praise to the Lord, who is power and majestic. God's power is not just over Israel, but over all of creation.”
So despite the many uncertainties surrounding these verses, you can see that it continues to minister to believers today.