Tohu wabohu (Genesis 1:2)
There is an interesting rhyming pair found in this second verse of the Bible. It is a combination of two Hebrew words: (1) bohu, meaning emptiness and only found in Genesis 1:2; Jeremiah 4:23; and Isaiah 34:11 where it is always paired with (2) tohu, which can be variously translated as confusion, empty, nothing, nought, vanity, waste, wilderness, vain, or without form. That latter Hebrew word is much more common in the Bible, appearing some twenty times.
The problem with English translations is to somehow convey both the idea of a wordplay while accurately preserving the meaning of both words. Calling the world 'topsy-turvy' or 'uniformly unformed” might give an idea of the former while not really accomplishing the latter.
Schnittjer alludes to this word pair several times in his book on intertextual references within the Old Testament:
“He labels Jeremiah 4:23-28 as 'anti-creation' and says, “Both Jeremiah and his contemporary Zephaniah in different ways rewind the narrative tradition regarding the days of creation. The direct veerbal relationship and reversed storyline by these two prophets suggest they know of the narrative in the opening of Genesis.”
“Jeremiah excels at interpretive theological inversion. He uses scriptural allusions to reverse creation and divine omniscience and to make even the most famous intercessors ineffective (4:23-28; 12:4; 15:1).”
“The term tohu only appears twice in Torah. It has the sense of 'formless' in Gen 1:2 and 'barrren' in Deut 32:10. Elsewhere the term shows up eighteen times, including once in an anti-creational judgment context (Jer 4:23).”
Michael Coogan says, “The Hebrew word tohu is generally translated in two ways. It can denote the arid wilderness, where wadis disappear (Job 6.18), the deranged wander (Job 12.24; cf. Isa. 40.23), and Israel was found (Deut 32.10). It can also mean the chaotic state before creation (Job 26.7); in this sense it can be paired with bohu (Gen.1.2; Isa. 34:11; Jer. 4.23) and by extension can mean any empty, formless reality, especially other gods (1 Sam. 12.21; Isa. 41.29; 44.9), or defeated nations (Isa. 24.10; 34.11; 40.17). These two concepts are linked in biblical tradition (Isa. 45.18) and in underlying mythology.”
Konkel goes into more detail in discussing these two related words. Below are just a few of his comments:
“An attempt has been made to trace tohu and bohu to an Egyptian derivation; as in the Egyptian concept, Chaos would indicate the unending existence of the original divinities. The nom. bohu may also be compared to the Phoen. goddess Baau or to the Babylonian mother goddess Bau. The derivation of both bohu and tohu is unknown.”
“Isaiah juxtaposes the two in the judgment against Edom (Isa 34:11) to describe the total depopulation and destruction of the land so it is a waste fit only for desert animals. The measuring line of tohu will be stretched over Edom, and the stone of bohu. Unfortunately the text of the last line is corrupt, as it lacks a vb., and the last word (its nobles) in the MT [i.e. Hebrew text] is wrongly assigned to v. 12. As a result the second metaphor is not clear; the stone could be that used to cast lots or used as a level. The general sense of the metaphors is not in doubt. Stretching a measuring line over the land means that as an ownerless plot of ground, the land is to be resurveyed and reassigned; the threat of judgment against Jerusalem is that the measuring line of Samaria will be cast over it (2 Kgs 21:13), meaning that it will be taken over by foreigners.”
“The term tohu is common in the vocabulary of creation. Its function is to indicate chaos in contrast to the order of creation. So Isaiah says that the world was not made a wasteland, God made it to be inhabited (Isa 45:18). The reversal of this creation is announced in the opening of the 'little apocalypse' (Isa 24-27), in which the 'city of chaos' is described as shattered (24:10). The devastation of the earth is described in terms reminiscent of those of the prophet Hosea over Israel (cf. 24:4; Hos 4:3). It is only natural that the material originally used to describe the judgment of Israel should be transferred, with little alteration, to that of universal judgment. This same type of terminology is found in Jer 4:28, in a passage that is a self-conscious reversal of the original description of creation (Jer 4:23-28). Both these passages state that creation will return to the state of precreation chaos. The expression tohu wabohu is used to describe the precreation chaos in Gen 1:2 and Jer 2:23. It is clear, however, that the nom. tohu has its origin in creation terminology; it does not originate in mythical concepts, as is much more likely for bohu...It seems more likely this was the term suitable to describe the original chaos.”
“The language of the Genesis account of creation can be described as a demythologization of ancient creation accounts...in Genesis the writer has excised the mythical elements radically; he has written an explicit polemic against the creation myth. Polytheism is removed...chaos or void is not a sea monster but is a desolation of waters; the expression tohu wabohu in Gen 1:2 is a hendiadys [i.e. one thought out of two] meaning an unearthly or indescribable emptiness. This would seem to be a creative application of the concept of an uninhabitable empty wilderness to the disordered state before creation.”
And finally, Konkel argues against Tsumura'a attempt to deny that there is any reference at all to pagan deities in these passages. Instead Konkel states: “such a polemic does not mean the account in Genesis is derived as such from mythology, but it does mean that the terminology is written with reference to the common understanding of the battle against the waters to show they have no personal powers as in the myths.”
Ross, who has written much on Genesis, states, “The clauses in verse 2 are apparently circumstantial to verse 3, telling the world's condition when God began to renovate it. It was a chaos of wasteness, emptiness, and darkness. Such conditions would not result from God's creative work (bara'); rather in the Bible they are symptomatic of sin and are coordinate with judgment. Moreover, God's Creation by decree begins in verse 3, and the elements found in verse 2 are corrected in Creation, beginning with lght to dispel the darkness. The expression 'formless and empty' (tohu wabohu) seems also to provide an outline for chapter 1, which describes God's bringing shape and then fullness to the formless and empty earth. Some have seen a middle stage of Creation here, that is, an unfinished work of Creation (v. 2) that was later developed (vv. 3-25) into the present form. But this cannot be sustained by the syntax of the vocabulary. Others have seen a 'gap' between the first two verses, allowing for the fall of Satan and entrance of sin into the world that caused the chaos. It is more likely that verse 1 refers to a relative beginning, rather than the absolute beginning...The chapter would then be accounting for the Creation of the universe as man knows it, not the beginning of everything, and verses 1-2 would provide the introduction to it.”
Below are some additional comments taken from the literature relating to the parallel passages in Isaiah and Jeremiah specifically:
Isaiah 34:11
“D.N. Freedman points out that 11b exhibits a common feature of Hebrew verse only recently noticed, the division of natural pairs in order to secure poetic variation and balance. The line and the stones (plummets, here translated measure) go together, as do desolation and waste (tohu wabohu; see Gen I 2). The line in prose would read, 'He will stretch over it the line and plummet of desolation and waste.' The line and plummet were used by builders of walls; here by paradox, Yahweh uses them to plan destruction.” (McKenzie)
Blenkinsopp goes into quite a bit of detail speculating where the original inspiration for chapter 34 might have come from; quotes from putative pagan sources in the ancient Near East; tries to pin down the time frame in Israel's history which might fit the best the writing; detects a Jewish belief in supernatural creatures such as Lilith; and utilizes much later Talmudic literature as proof of some of his speculations. But through it all, not once does Blenkinsopp even allude to the vision here of a reversal of creation including the tip-off given by the rare conjunction of the words tohu and bohu. Unfortunately, this trend among liberal Bible professors in academia to ignore the quite obvious and concentrate instead on the highly unlikely is all too common.
By contrast, more conservative scholars such as Wolf, Bullock, J.A. Martin and Chisholm at least stress the eschatological judgment that Isaiah 34 portrays even if they don't specifically point to the reversal of the creation highlighted by the tell-tale presence of tohu and bohu in v. 11. However, that fact is brought up in Oswalt's extensive, two-volume commentary on Isaiah. In addition, Oswalt recognizes that although the judgment of Edom is particularly stressed here, a more universal judgment on all rebellious nations lies behind these words.
D.F. Payne writes: “Verse 11 again uses the language of earlier Scripture; the words chaos and desolation are the 'without form and void' of Gen. 1:2. The verse is a clever paradox, depicting God as taking building instruments and careful measurements in order to produce – desolation.'”
“Confusion and chaos are the 'without form' and 'void' of Gn. 1:2; they imply here and in Je. 4:23 an undoing of the very work of creation. The mention of line and plummet gives this demolition a disquieting air of precision, matched only by the care with which the ruins are furnished with appropriate monsters.” (D. Kidner)
And an anonymous author writing in The Dictionary of Biblical Imagery says concerning this verse, “Like many images of judgment, chaos is seen as a temporary reversal of the creation order, a reversal ultimately calculated to secure redemption.”
Jeremiah 4:23
Similarly, we read elsewhere in DBI, “Jeremiah 4:23-28 portrays the 'un-creation' of the world that reverses the creation story of Genesis 1.”
D.R. Jones says, “The picture is explicitly a return to the chaos before creation...Indeed the oracle seems to be composed in relation to the sequence of creation in Gen 1, perhaps freely recollected...
The words are those used in Gen i 2 to describe the formless void that existed before creation. Indeed, in this poem, which is one of the most powerful descriptions of the Day of Yahweh in all prophetic literature, one might say that the story of Genesis i has been reversed: men, beasts, and growing things are gone, the dry land itself totters, the heavens cease to give their light, and primeval chaos returns. It is as if the earth had been 'uncreated'; it is, if one cares to put it so, a ruin o f' 'atomic' proportions.” (Bright)
But Thompson stops far short of feeling that this is an actual apocalyptic vision. He says, “In a passage filled with striking imagery, the judgment that is to fall on Judah takes on the aspect of a cosmic conflagration. Jeremiah experiences a dramatic glimpse into the outpouring of divine anger upon Judah...To a degree the language is Oriental hyperbole [i.e. exaggeration], but Jeremiah uses imagery and phraseology which his predecessors used in their references to the divine judgment...The range of disturbance was thus so great that it seemed to represent a return to primeval chaos. Little wonder that Jeremiah was filled with anguish and amazement. None of the other contemporary prophets spoke of the coming doom in such powerful terms.”
Finally, another article in DBI states: “The cosmos is kept intact only by the governing power of God, and one way in which the prophets envision a coming apocalyptic judgment is to picture it as a return to the primeval chaos in which the earth is 'waste and void' and the heavens have 'no light' (Jer 4:23; cf. Is 5:30).”