Revelation 15 viewed through different
lenses
There are some superficial readers of
Revelation who immediately come to the conclusion that it consists of
the ravings of a mentally unbalanced person or someone high on drugs.
But the problem isn't that this book is totally disorganized. In
fact, it is just the opposite. It is so highly organized and packed
with ideas, allusions and images that it only appears to be
confusing. So I thought it might be instructive to show how a variety
of perspectives can begin to bring out some of the richness of the
book. As a relatively easy example I picked the shortest chapter in
Revelation, ch. 15, to demonstrate my thesis above.
Textual
You can't even begin to study this
chapter or any other one in the Bible without first having confidence
that you are reading a translation based on a reliable Greek text.
And the problem is that there are literally thousands of early
manuscripts (i.e. handwritten documents) to compare with one another
using generally accepted criteria to determine which reading is the
more authentic when the words disagree with on another on occasion.
This is the job of textual critics who attempt to carry out this task
in an objective manner.
It turns out that the Greek wording in
at least four verses of Revelation 15 is somewhat in doubt.
Verse 3: The phrase “king of
the ages” is found in some early manuscripts and “king of
nations” in others. Comfort opts for the former, feeling that
“nations” was added by some scribes due to that word being in the
very next verse. By contrast, Metzger prefers “nations” over
“ages” for two reasons: (a) “ages” probably came from
recollection of I Timothy 1:17 (“To the king of ages...be honor and
glory for ever and ever. Amen.”) and (b) “nations” makes more
sense in the context. There is additional support for Metzger's view
found in the “Literary” section below.
Verse 4: According to Metzger,
there are actually six variant readings in the first line of this
verse (“Lord, who does not fear”), most adding “you”
somewhere in the verse, “feeling the need of an object for the
verb.” Such additions are not really needed to clarify the thought
in the line.
Verse 6: The textual note in
NRSV mentions that some early manuscripts have the angels robed in
“stone” (lithon) in place of “linen” (linon).
Metzger rejects “stone” as making no sense at all (but see below
for another view).
Doctrinal and Symbolic
vs. 1: They are called the last plagues
in this verse “because they bring to completion the wrath of God.”
(Beagley)
vs. 2: “The use of nikao (Rev
12:11; 15:2; Rom 8:35-37) confirms that 'overcoming' is best
understood individually, ironically, and as an inaugurated event, not
merely as a future reality on a corporate level. The ironic, or
paradoxical, meaning of nikao is modeled after that of
Christ's eschatological conquest (Rev 3:21).” (Beale)
vs. 3: “The name of Moses is
conjoined with that of Christ because a similar, though greater,
deliverance has been wrought from a similar, though greater, foe.”
(Beasley-Murray)
“Wrath against apostate Israelites
because of idolatry is the focus in Deut. 32 as here judgment on
apostate Christians together with the nations is in view.” (Beale
and McDonough)
“Every believer is a priest in his or
her own right, but collectively they are a kingdom. Christ is the
king (Rev 9:11; 15:3; 17:4; 19:16), and the people over whom he rules
are a kingdom of priests (Rev 1:6,9; 5:10; 11:15; 12:10).” (Giles)
Arnold comments on verse 3: “The one
God is unequalled in power and sovereignty. He is therefore acclaimed
pantokrator, 'all powerful.' The epithet appears nine times in
the Apocalypse (e.g., Rev 4:8; 11:17; 15:3...).”
“John likes to use the phrase 'the
Lord God'...This phrase comes up particularly in contexts in which
prayer or praise is being offered up to God, and it is sometimes
combined with the term pantokrator ('almighty'; Rev 15:3;
19:6; 21:22) to indicate the magnitude of God's sovereignty.”
(Witherington)
“All ten uses of truth language in
Revelation are with the adjective alethinos. Often the
adjective describes the activities or characteristics of Jesus or God
as true. In Revelation 3:7,14 Jesus is spoken of as the 'true one'
and 'true witness' respectively. In Revelation 6:10 the Lord is
praised as 'holy and true'; in Revelation 15:3 'just and true are the
ways of the Lord God'; in Revelation 16:7 and Revelation 19:2 God's
judgments are 'true and just.'” (Reed)
vv. 3-4: Wu and Pearson comment: “Hymn
singing is an important element in Christian worship, being a
spiritualized form of sacrifice replacing animal sacrifices of temple
service...The content of these hymns is mainly descriptive praise
directed toward God or Christ and blended with motifs derived from
the OT...”
vv. 3-5: Seifrid states, “The
churches stand in the relation to the risen Lord that he stood to the
Father in his earthly ministry...They are martyred for their witness
(Rev 6:9-11; 12:10), just as he was for his (Rev 1:5). And they
likewise share in his triumph (Rev 7:17; 15:3-5; 19:1-20:15).”
vs. 4: “God, as holy, stands apart
from and opposed to sin and evil...he alone is able to administer
justice and judge rightly.” (Hawthorne)
Similarly, Newman says, “Three times
in Revelation (Rev 16:5,7; 19:2; cf. Rev 15:3) it is said of God that
his judgments are 'just' (phikaios).”
vs. 5: Beasley-Murray notes that the
opening up of the temple in heaven “emphasizes that the judgments
about to be executed are the expression of God's righteousness.”
vv. 5-8: The “heaven beyond the
material heaven is portrayed as a temple (cf. Rev 11:19; 15:5-8), of
which the earthly one is but a shadow and copy (Heb 8:2,5; 9:24).”
(daSilva)
vs. 7: Newman says, “The seven bowls
are full of God's anger (Rev 15:7; 16:1), and only when the bowls are
emptied shall God's anger cease (Rev 15:1). God's anger and wrath,
however, should never be construed as indiscriminate vengeance.
Revelation asserts that God's judgments are always 'just and true'
(Rev 16:5; 19:2).”
vs. 8: “Long deferred though God's
judgment may be, when once it is begun it proceeds with terrible
swiftness. The seven receptacles of His wrath are not narrow-necked
'vials', from which the contents trickle slowly, but wide, shallow
bowls, whose entire contents splash out immediately when they are
upturned. But while the strange and swift work is going on, the
sanctuary is inaccessible; the meaning may be that the time for
intercession is past.” (Bruce)
Newman says, “Revelation combines
theophanic, royal and prophetic imagery in the description of the
eschatological, heavenly temple that will be filled with the smoke
'from the glory of God and from his power...'”
Davies states that “whereas Hebrews'
use of temple imagery is primarily concerned with the redemptive
historical accomplishment of Jesus' entrance into the holy of holies,
Revelation has a focus upon the heavenly temple as the place of God's
abode (Rev 15:8), the place from which the earth is governed and
judgment emanates (Rev. 14:15,17; 16:1,17). Yet it is also the place
of safety for the saints (Rev 3:12; 7:15).”
Historical
Few scholars zero in on this important
aspect of the visions in Revelation. However, Webb looks at the book
from the perspective of historical events surrounding the author at
the time of writing.: “The intensity and scope of the suffering in
Revelation clearly transcends that of 1 Peter...From the perspective
of the Apocalypse, much of the persecution was due to a political
movement to enforce the cult of the emperor worship..Christians
appear to have been forced into economic hardship, ...imprisoned...or
slain for their faith...as a result of their refusal to participate
in the emperor cults (cf. Rev 13:14; 14:9,11; 15:2; 16:2; 19:20;
20:4).”
Prophetic
Walvoord, writing from a dispensational
premillenial viewpoint says of verses 1-2, “This description of
praise to God and prediction of universal worship is in keeping with
many other Scriptures and relates, of course to the second coming of
Christ and worship of God by the entire world in the millennial
kingdom...The awful hour of wickedness and blasphemy against God,
which will characterize the period leading up to the Second Coming
will be followed by a full vindication of God's judgment and holiness
in the next period.”
“The first exodus, out of Egypt and
out from under Pharaoh's tyrannical power, will be recaptitulated by
divine design in a final, end-time exodus of God's people out from
under the tyrannical oppression and rule of the 'beast' over the
world.” (Beale and McDonough)
Beasley-Murray
comments on the parallel passages 6:1-8:15; 8:6-11:19; and chapters
15-16: “These three series of judgments in Revelation have been
interpreted as following in chronological sequence...There is,
however, one major feature of the three series of judgments that
makes this interpretation difficult to accept: each of the three
series concludes with a description of the day of the Lord.”
“Given...frequent
references to the judgment as something in the past [i.e. in
Revelation 6:16-17; 14:7; 14:15; 15:4; 16:17; 18:10], it is
understandable how it might be argued (as by Hanson) that the
judgment which comes to Babylon (Rome!)...refers to the processes of
history and not only to the final eschatological act. As Hanson puts
the key point: 'This is not to say that the wrath has no reference to
the end of hisory; but it never refers purely to that end. It is
always a process; sometimes a process viewed as culminating in the
end.'” (Kreitzer)
“There
have been numerous interpretations of how the seals, trumpets and
bowls relate to each other, some interpreters seeing them
consecutively and others with various degrees of overlap, some more
and some less literally, but in any event in the end Babylon is
destroyed (Rev 17:1-18:24), making way for the return of Christ.”
(Porter)
Intertextual
The great correspondence between the
whole of Revelation and the Old Testament is in evidence also in Rev.
15. Since Ford feels that John the Baptist wrote the book, she is a
good resource for pointing out some of the parallels between
Revelation found both in the Greek version of the OT and the writings
between the two Testaments. Just some of these are given below:
Revelation 15: Other Writings
vs. 1a “plagues” Exodus 11:1-9
vs. 1b “wrath” (thumos) Leviticus
26:28
vs. 2b heavenly “fire” Ezekiel
1:4,13,27
vs. 2a “crystal sea” I Kings
7:23-26
vs. 5 “tent of witness” Exodus
33:7; Josephus Antiquities 4.100, 1-2-3
vs. 6 “stone” Ezekiel 28:12-13,
if “stone” is the reading rather than “linen”
vs. 7 “golden bowls” Exodus 27:3;
Numbers 7: I Kings 8:3; Antiquities 3.150
vs. 8 “filled with smoke” I Kings
8:10-14; II Chronicles 7:2-3; Ezekiel 10:3-4
Bruce points to some additional
correspondences within the poetic center of the chapter:
vs. 3a “song of Moses” Exodus
15; Deuteronomy 32
vs. 3c “Lord God Almighty” Isaiah
6:3
vs. 3b “Great and amazing are your
deeds” Psalms 104:24; 11:2; 139:14
vs. 3c “king of the ages” Jeremiah
10:10
vs. 3b “just and true are your
ways” Psalm 145:17
vs. 4 “you alone are holy” Psalms
86:10; 99:3,5,9
Some additional parallels have been
pointed out between Revelation 15 and Exodus 15 by commentators:
vv. 1,7 “wrath/fury of God” Exodus
15:4
vv. 2 “sea” Exodus 15:4
vv. 4,8 “glorious(ly)” Exodus
15:1,6
v. 7 “forever and ever” Exodus
15:18
Ethical
Most commentators are so busy trying to
make sense out of Revelation from a prophetic viewpoint that they
totally ignore the practical and ethical implications underpinning
the whole book. The most important of these is perhaps the call for
Christians to remain faithful to their call even in the face of
opposition. This sort of loyal and steadfast behavior will also have
a profound effect on those who observe your actions under trial. Kim
states that “the church is empowered by the Spirit of prophecy (Rev
11:3-6; 19:10), and its faithful witness to the kingship of the true
God and the Lamb unto death among all the nations brings about the
conversion of the nations from idolatry to the worship of the true
God (Rev 11:13; 15:2-4). Thus God's kingship is made effective over
the nations at present through the church's witness.”
Literary
This short chapter breaks down into an
ABA' type structure when the verses are separated by genre:
A. Prose: Revelation 15:1-2
B. Poetry: Revelation 15:3-4
A'. Prose: Revelation 15:5-8
I have chosen to include the prose
introduction of verse 3a in the middle section, although one could
just as easily have it conclude the first section. Reinforcing these
tripartite divisions are the following verbal parallels between A and
A:;
“and...I saw...in heaven” –
verses 1 and 5 This pair occurs at the respective beginnings of
sections A and A'.
“seven angels with seven plagues”
– verses 1,6, and 8
“the wrath of God is ended (v. 1)
// “the seven plagues...were ended” (v. 8) These two phrases
serve to conclude sections A and A'.
In addition, it is characteristic of
chapter 15 to utilize the same Greek words exactly twice. Most of
these duplications have the effect of strengthening the topical unity
that exists within each of the three major units. Thus we see “sea
of glass” appearing twice in Section A (both in v. 2), “song”
two times in B (both in v. 3), and “nations” also in B (vv. 3 and
4). And acting as a bridge connecting all three units together is the
following word chain: “name” in verses 2 (A) and 4 (B) as well as
“glory/glorify” in v. 4 (B) and v. 8 (A').
Toward the start of this post, I
mentioned that Comfort rejected the word “nations” in v. 3,
feeling that it was added by some scribes due to that word being in
v. 4 as well. But we can see from the above examples that such
doubling of words was fully in keeping with the author's practice
elsewhere in the chapter.